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Grateful Dead Live at Edmundson Pavilion - University of Washington on 1974-05-21


Topics Kevin Tobin


Set 1

Me And My Uncle
Brown Eyed Women
Beat It On Down The Line
Deal
Mexicali Blues
It Must Have Been The Roses
The Race Is On
Scarlet Begonias
El Paso
Row Jimmy
Money Money
Ship Of Fools
Weather Report Suite Prelude ->
Weather Report Suite Part ->
Let It Grow ->
China Doll

Set 2

Playing In The Band
U.S. Blues
Big River
Stella Blue
Around And Around
Eyes Of The World ->
Wharf Rat ->
Sugar Magnolia

Encore
Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Date May 21, 1974
Venue Edmundson Pavilion - University of Washington
Location Seattle, WA

Source Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)
Transferred by Kevin Tobin


Notes

Audio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card. Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave. Audition 2.0 was used to align &
synch the SBD & AUD sources. Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels. Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Reviews

Reviewer: jerrygarciafan - - April 13, 2013
Subject: 46 minute version of PITB
The sound quality here is perfect. Very impressive audio. This entire show really blazes! 5 stars.

Thank you Kevin
Reviewer: grateful phishmon - - April 15, 2011
Subject: Thanks to all involved in getting this up here.
I seem to have lost my soundboard of the meat of this show. Fortunately, this aud is quite listenable, although Bob and Keith do get a little lost in the mix at times. Still, I can't give it fewer than 5 stars just on the strength of the Playin'. This is not just music, it's EXPERIENCE.

I don't always have 46 minutes to devote to one tune. But this one has so many different sections to the jam, it's like several tunes wrapped into one big package. Tonal, dissonant, quite and ethereal, or brutally manic meltdown -- it's all there. If you don't have the patience to sit back and listen to this, if you prefer your jams in 10-15 minute rockin' chunks, then fine. Put on something from 77 and on. But if you're looking for a long-form exploratory jam, they don't get longer or more exploratory than this.
Reviewer: leb_dead_head - - February 28, 2010
Subject: Money, money
Best of three 'Money, money' played in that run consecutively. Sound quality is good and very much worth the listen.
Reviewer: Thomas Howell - - April 25, 2008
Subject: surprise, surprise
The quality of the this aud will startle you. It's that good.Thanks to Pat Lee for recording. He says he switched off between songs to conserve his battery. So thanks also to Kevin Tobin for restoring the lost parts.
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